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Art of Fighting

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australian, indie, indie rock, alternative, dream popsee all

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It’s a mystery how Art of Fighting have stayed together, adding as they have family relations and romance to the already claustrophobic world of tour vans, backstage, hotels and rehearsal rooms. This group of two brothers (Miles and Ollie Browne), one amicably concluded romantic relationship (between singer Ollie and bassist Peggy Frew) and long-time drummer Marty Brown, has an elegance that belies the tumultuous history of a band that has pretty much grown up in each other’s pockets.



The band began as a trio without Miles and with a different drummer, recording a 1998 EP named The Very Strange Year for Sydney label Half A Cow. Though credited for “legal advice” on this first effort, brother Miles strapped on a guitar and joined the fray for their second EP Empty Nights (1999). The songs on these early releases were long, lugubrious and often drenched in distortion, but sufficiently well crafted to win them a fervent, reverential fanbase around the country.

It was their debut album that saw the band take on the mantle of maturity. Released on acclaimed Melbourne label Trifekta, Wires took the nation by storm on its release in 2001, and now stands as one of Australian music’s most elegant, accomplished and affecting debuts. Ollie Browne’s songwriting had reached a level of stately, melancholic mastery - and his singing a kind of tragic purity - that could leave few listeners unmoved. Respect must also be paid to Peggy Frew’s contribution I Don’t Keep A Record, a magical, cryptic revelation of whispered vocals and fragile melody.
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