Dizzy Gillespie (read more)
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John Birks “Dizzy” Gillespie (October 21, 1917 – January 6, 1993) was born in Cheraw, South Carolina. He was an American jazz trumpeter, bandleader, singer, and composer. Gillespie, with Charlie Parker, was a major figure in the development of bebop and modern jazz.
In addition to featuring in these epochal moments in jazz, he was instrumental in founding Afro-Cuban jazz. Gillespie was a trumpet virtuoso and gifted improviser. In addition to his instrumental skills, Dizzy’s beret and horn-rimmed spectacles, his scat singing, his bent horn and pouched cheeks, and his light-hearted personality endeared many to what was regarded as threatening and frightening music.
In his playing, Gillespie built on the “saxophonic” style of Roy Eldridge and the harmonic complexity of Charlie Parker and then went far beyond Bird. That is, unlike his great contemporary, Dizzy made a point of enthusiastically teaching future generations (such as Miles Davis at the time) about the convolutions of bop.
His memorable trademarks were distending his cheeks while playing (unlike most trumpet players, who are trained not to do this — “Gillespie’s pouch” is purportedly a term used by the medical community for cheek distention) and a trumpet whose bell was bent at a 45 degree angle rather than a traditional straight trumpet. This was originally the result of accidental damage, but the constriction caused by the bending altered the tone of the instrument, and Gillespie liked the effect.
(read more)
In addition to featuring in these epochal moments in jazz, he was instrumental in founding Afro-Cuban jazz. Gillespie was a trumpet virtuoso and gifted improviser. In addition to his instrumental skills, Dizzy’s beret and horn-rimmed spectacles, his scat singing, his bent horn and pouched cheeks, and his light-hearted personality endeared many to what was regarded as threatening and frightening music.
In his playing, Gillespie built on the “saxophonic” style of Roy Eldridge and the harmonic complexity of Charlie Parker and then went far beyond Bird. That is, unlike his great contemporary, Dizzy made a point of enthusiastically teaching future generations (such as Miles Davis at the time) about the convolutions of bop.
His memorable trademarks were distending his cheeks while playing (unlike most trumpet players, who are trained not to do this — “Gillespie’s pouch” is purportedly a term used by the medical community for cheek distention) and a trumpet whose bell was bent at a 45 degree angle rather than a traditional straight trumpet. This was originally the result of accidental damage, but the constriction caused by the bending altered the tone of the instrument, and Gillespie liked the effect.
(read more)
Listen Now
| Track | Time | Listeners | Download | |
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Add this track to your playlist Manteca full track | 6:28 | 12,042 | Buy mp3 |
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Add this track to your playlist A Night In Tunisia full track | 4:18 | 8,923 | Buy mp3 |
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Add this track to your playlist Groovin' High full track | 2:45 | 7,091 | Buy mp3 |
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Add this track to your playlist Manteca (Funky Lowlives Remix) full track | 0:00 | 3,997 | Buy mp3 |
Radio (show all 10)
- Play Dizzy Gillespie’s Similar Artists Including: Charlie Parker, Duke Ellington, Sonny Rollins, Coleman Hawkins, Thelonious Monk and more
- Play Dizzy Gillespie’s Top Listeners
- Play jazz Tag Radio
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Videos (see all 32)
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Play
Dizzy Gillespie - One Note Samba
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Play
Dizzy Gillespie - "Salt Peanuts" - 1947
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Play
Liquid Soul - Salt Peanuts
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MANTECA BY DIZZY GILLESPIE
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Gillespie - Manteca
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Play
DIZZY GILLESPIE : NIGHT IN TUNISIA
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