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Front 242

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Front 242 is a pioneering Belgian electronic body music group that came into prominence during the 1980s. For years to come they took the lead in electronic music composition. During their most active period (they decided to quit ebm in 1993 with the albums 06:21:03:11 UP EVIL and 05:22:09:12 OFF) they were influential to many industrial and electronic artists, coining the term electronic body music (EBM) to describe their music.

History


The origin of Front 242 should be understood within the rise of industrial music, which originated in England in 1975 with the first performances of Cabaret Voltaire and Throbbing Gristle. These revolutionary groups introduced elements of style later taken up by Front 242 such as electronic instrumentation, overwhelming percussion often with found objects, and looped samples of found soundbites. Going back earlier, these innovations can be seen as an extension of the work of William S. Burroughs and of Edgard Varèse, the first significant composer to adopt electronic sources of sound as musical instruments, and who also used overwhelming percussion including with found objects. It is perhaps no coincidence that Varese’s great mark on the music world took place at the 1958 World Fair in Brussels, where Front 242 would work a few decades later.

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372
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Welcome to Paradise full track
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Im Rhythmus Bleiben full track
248
4 Play
Moldavia full track
216
5 Play
Religion full track
206
6 Play
U-Men full track
197
7 Play
Body to Body full track
195
8 Play
No Shuffle full track
191
9 Play
Circling Overland full track
185
10 Play
Kampfbereit full track
181
11 Play
Operating Tracks full track
168
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Lovely Day full track
168
13 Play
Crapage full track
162
14 Play
151
15 Play
Quite Unusual full track
150
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