Thirty second clips do not songs make.
Recently it dawned on me that the playlist feature could be where I put the songs I planned on writing about in the song-tribute entries, formerly called Divine Moments. The most recent addition to this list was the subject of the first entry, "No Cars Go" by the Arcade Fire. It's a great song, but I could not go without mentioning the other eight songs on the list. And since I don't have time to write a full, multi-paragraph blurb about each song, here are some thoughts in regards to why I think they're essential.
Rid of Me by PJ Harvey, from the album
Rid of Me (Island; 1992) : What's amazing about this song is how I am both turned on by her performance and completely terrified at the same time. She starts in all breathy and soft, ("Tie yourself to me...") but it's only a ploy to lull you before they get hit in the gut with the chorus, and she starts screaming "Lick my legs / I'm on fire." And those drums! They just pound the song forward with intensity. I'm a bit disappointed that the YouTube videos of this song are all just PJ up there with a guitar. (Not that I'm complaining...)
Losing My Edge by LCD Soundsystem, from the album
LCD Soundsytem (Capitol; 2005) : If anyone who read my last journal entry is curious, no, I don't really think this would be considered a song. It's more of a monologue set to a dance beat. And as such, it's brilliant. James Murphy's masterpiece of a debut single builds to a great, faux snobby climax, wherein he starts name checking bands rapid fire style. It made me laugh the first time I heard it, and it still brings a smile each time after.
The Fox in the Snow by Belle and Sebastian, from the album
If You're Feeling Sinister (Jeepster; 1996) : Out of everything they've ever made, I think this may be their most beautiful and exquisite song. That lilting melody, those aching cello and violin parts. The last verse alone sums up a life manifesto as eloquently as any piece of literature.
Obstacle 1 by Interpol, from the album,
Turn on the Bright Lights (Matador; 2002) ; That Joy Division intro - the one where each instrument comes in one at a time instead of all together - is used almost perfectly here. This is a song that fully showcases the individual talents and contributions of the band members. It also has Paul Banks's most macabre lyrics, while the drums and bass keep the song pummeling forward like a killer in a movie.
The Sweat Descends by Les Savy Fav, from the compilation,
Inches (Frenchkiss; 2004) : Like PJ Harvey, this song gets unsettling erotic when it sings "Press up against the skin you care for / Meet me where the sweat descends". But the real meat of the song is the absolutely kick-ass chorus, proving once again that an art rocker can actually "rock" with the best of them.
Marquee Moon by Television, from the album,
Marquee Moon (Elektra; 1977) : History has shown that few bands have been able to play off each other's strengths as perfectly as Television. And this, the centerpiece of their masterpiece, is practically a monolith to that sentiment. A ten minute song with an amazing improvised guitar solo, yet nothing about it feels indulgent or showy. And unlike many jam band imitators, this song builds to one of modern music's most celebrated climaxes.
She Cracked by the Modern Lovers, from the album,
The Modern Lovers (Beserkley; 1976) : As if to go in the opposite direction of Television, we have this stripped down to the basics rock and roll song. It's the first Modern Lovers song I ever heard and it's almost perfect in the way it barrels through, seemingly unaware of conventions and standards. The crashing noise of the song's bridge seemed to predict many other great song-sabotagers like Sonic Youth, Xiu Xiu, and the next artist.
Sometimes by My Bloody Valentine, from the album,
Lovesles (Sire; 1991) : I remember watching
Lost in Translation for the first time, waiting for this song to come on. I also remember playing this song backstage in the dressing room after doing an emotionally tumultuous scene. There's something about this song that just washes over your senses and puts you in a different place. That melody in the last third of the song that just climbs higher and higher sends chills down my spine and brings a tear to my eye.