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Son Lux

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experimental, indie, electronic, post-hardcore, etherealsee all

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Meet a man driven wildly by music. A man classically trained, but rewired with his own two hands. A frequent collaborator, occasional curator and consummate “man behind the curtain” now emerging at the front of something yet unnamed. Somewhere between the concert hall and the club you’ll find his haunting liquid soundscapes, born of hip-hop composition, o’er-strung with chant, hinting at some divine unreachable. Meet Son Lux.



Ryan Lott was born in Denver in 1979. At 2, he moved to California; at 5, to Connecticut. His father made industrial adhesives; his mother made the home; he had one brother and one sister. He was the youngest. Piano lessons were a family rule and Ryan began at 6, counting down, in tears, the clicks of the 15-minute egg-timer. He hated it, and by the age of 12, he knew he wouldn’t be a classical concert pianist; instead he’d be a composer. He’d offset this revelation by performing covers of “Lithium” and “Suck My Kiss” on guitar in middle school dance bands. His parents brought him to Atlanta for high school; in turn, high school brought him drums, punk bands and a piano teacher who smuggled him a few lessons in jazz and pop.

In his third year studying composition and piano at Indiana University, Ryan began collaborating with a ballet and modern dance student who would become his wife. Writing music to her choreography set off a hunger in him that would soon grow into megalomania. In the newlyweds’ post-collegiate home of Cleveland, Ryan conceived a multimedia art gala dubbed CONNECT.
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Break full track
110
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Weapons full track
91
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Betray full track
83
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Stay full track
65
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Raise full track
62
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Wither full track
55
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Tell full track
55
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Epilogue full track
49
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Stand full track
48
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War full track
48
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Do
7
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5
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prologue full track
5
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