The Mekons (read more)
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The Mekons are a punk rock/post punk band. They are one of the longest-running and most prolific of the first-wave British punk bands (rivaled in both categories only by The Fall).
Leeds University art students Jon Langford and Tom Greenhalgh formed the Mekons in 1977, taking the band’s name from the Mekon, an evil, super-intelligent Venusian featured in the British 1950s-1960s comic Dan Dare (printed in the Eagle). The band first gained widepread popularity with the single “Never Been in a Riot,” a satirical take on the Clash’s “White Riot.” For several years the loose-knit band played noisy, bare-bones post-punk in the vein of fellow Leeds students Gang of Four. Yet Langford and Greenhalgh never hewed closely to genre conventions, and by the mid-80s (now augmented by vocalist Sally Timms and violinist Susie Honeyman) they began to experiment with musical styles derived from traditional folk and country. 1985’s watershed Fear and Whiskey, 1986’s The Edge of the World and 1987’s Honky Tonkin’ exemplified the band’s new sound, which built on the innovations of Gram Parsons and blended punk ethos with the minimalist country of Hank Williams. This style, sometimes referred to as “post-modern country”, is a direct forerunner of the alt-country genre represented by bands like Uncle Tupelo.
(read more)
Leeds University art students Jon Langford and Tom Greenhalgh formed the Mekons in 1977, taking the band’s name from the Mekon, an evil, super-intelligent Venusian featured in the British 1950s-1960s comic Dan Dare (printed in the Eagle). The band first gained widepread popularity with the single “Never Been in a Riot,” a satirical take on the Clash’s “White Riot.” For several years the loose-knit band played noisy, bare-bones post-punk in the vein of fellow Leeds students Gang of Four. Yet Langford and Greenhalgh never hewed closely to genre conventions, and by the mid-80s (now augmented by vocalist Sally Timms and violinist Susie Honeyman) they began to experiment with musical styles derived from traditional folk and country. 1985’s watershed Fear and Whiskey, 1986’s The Edge of the World and 1987’s Honky Tonkin’ exemplified the band’s new sound, which built on the innovations of Gram Parsons and blended punk ethos with the minimalist country of Hank Williams. This style, sometimes referred to as “post-modern country”, is a direct forerunner of the alt-country genre represented by bands like Uncle Tupelo.
(read more)
Listen Now
| Track | Time | Listeners | Download | |
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Add this track to your playlist Where Were You? full track | 3:46 | 2,850 | Buy mp3 |
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Add this track to your playlist Chivalry full track | 0:55 | 2,601 | Buy mp3 |
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Add this track to your playlist Empire of the Senseless full track | 4:33 | 1,937 | Buy mp3 |
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Add this track to your playlist Last Dance full track | 3:10 | 1,885 | Buy mp3 |
Radio (show all 10)
- Play The Mekons’s Similar Artists Including: The Fall, The Soft Boys, The Feelies, Wire, Television Personalities and more
- Play The Mekons’s Top Listeners
- Play post-punk Tag Radio
- Play punk Tag Radio
- Play british Tag Radio
- Play alt-country Tag Radio
- Play indie Tag Radio
- Play alternative Tag Radio
- Play indie rock Tag Radio
- Play post punk Tag Radio
Videos (see all 8)
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Play
The Mekons - Ghosts of American Astronauts
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Play
Ghosts of american astronauts
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Play
Mekons Where Were You 2006
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Play
mekons work all week
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Play
Mekons @ Bristol
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Play
Beaten & Broken
Top Albums (see all)
Top Tracks, Last Week
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Where Were You?
full track
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Chivalry
full track
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7 |
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Last Dance
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Memphis Egypt
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Number of listeners for the last week More top tracks…
Top Tracks, Last Six Months
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Where Were You?
full track
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926 |
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Chivalry
full track
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916 |
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762 | |
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Last Dance
full track
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683 |
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5 | 610 | ||
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571 | |
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Memphis Egypt
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364 |
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Hello Cruel World
full track
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246 |
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Work All Week
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Oblivion
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195 |
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31 |
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Millionaire
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195 |
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34 | 191 | ||
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