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Wall of Voodoo

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new wave, synth pop, 80s, post-punk, los angelessee all

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Los Angeles, United States (1977 – 1988)

New Wave group from Los Angeles best known for the 1983 hit “PlayMexican Radio”. The band had a sound that was a fusion of synthesizer-based New Wave music with the spaghetti western soundtrack style of Ennio Morricone.

Wall of Voodoo had its roots in Acme Soundtracks, an unsuccessful film score business started by Stan Ridgway, later the vocalist and synth player for Wall of Voodoo. Acme Soundtracks office was across the street from the Hollywood punk club The Masque and Ridgway was soon drawn into the emerging punk/new wave scene. Marc Moreland, guitarist for The Skulls began jamming with Ridgway at the Acme Soundtracks office and the soundtrack company morphed into a New Wave band. In 1977, with the addition of Skulls members Bruce Moreland (Marc’s brother) as bassist and Chas Gray as keyboardist, along with Joe Nanini, who had been the drummer for Black Randy and the Metrosquad, the first lineup of Wall of Voodoo was born.

Wall of Voodoo released a self-titled EP in 1980 which featured a unique, synthesizer-driven cover of the Johnny Cash song, “PlayRing Of Fire”. The band’s first full-length album, Dark Continent followed in 1981. Bruce Moreland left the band for the first time soon after this, and Chas Gray performed on both bass and keyboard during this time. The band recorded their biggest-selling album, Call Of The West in 1982. The track “Mexican Radio” was their only Top 100 hit and the video for the song got a great deal of exposure on the newly-formed MTV.
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